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THE COUNTRY WIFE

 

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'The Country Wife' by William Wycherley
was staged in November/December 2003.

Congratulations to first-time LP director Grant Shepherd and his cast and team for his elegant and coherent production of this classic Restoration comedy by William Wycherly –  and one which brought out both the lewd comedy (the play was never performed in Victorian England!) as well as the social comment which is still as recognizable and valid today as it was 300 years ago – an exposure of the gap between appearance and reality. The whole of the large cast succeeded in creating a production style that illuminated this highly artificial comedy of manners. With a beautifully designed and painted single set by Richard de Luchi  and magnificent costumes the production was also a feast for the eyes.

Credits:

Directed by: Grant Shepherd
Lighting Designer: Keith Davis
Set: Richard de Luchi
Stage Management: Anita Lopes, Ana Catarina Mendes
Front of House: Joan Foster Silva
Box Office: Fernanda Baeta, Ana Catarina Mendes
Furniture: Robert Conway
Lady Fidget's Song: Cristopher Bochmann
Poster and Programme Cover: Richard de Luchi
Programme: Ana Catarina Mendes, Virgilio Oliveira
Photographs: Ana Catarina Mendes

Cast:

Mr Horner: Grant Shepherd
Mr Harcourt: Tim Seconde
Mr Dorilant: Vuk Simic
Mr Pinchwife: Keith Harle
Mr Sparkish: James Cuggy
Sir Jasper Fidget: George Ritchie
Mrs Margery Pinchwife: Joana Duarte Costa
Mrs Alithea: Ester Marie Myrvang Grenersen
My Lady Fidget: Celia Williams
Mrs Dainty Fidget: Maria Joćo Castro e Sousa
Mrs Squeamish: Inźs Aguiar Pinto
Old Lady Squeamish: Mary Lara
A Quack: Phil Town
Lucy, Alithea's maid: Ana Catarina Mendes
Servant: Joćo Soares
Parson: Joćo Soares

Synopsis - The Play

Harry Horner, aided by an unscrupulous doctor named Quack, hatches a plan to convince the whole of London Society that a severe case of venereal disease has rendered him impotent. His reputation as a notorious womanizer is irreparably damaged and he soon becomes a figure of fun, a harmless has-been who no longer poses any threat to the wives, sisters and daughters of the "respectable" men of the Town. Horner's intention, of course, is to use his new reputation as a eunuch as a means of gaining access to these women. His plan is so successful that one of these respectable gentlemen, Sir Jaspar Fidget, actually brings his wife to Horner' s lodging and practically begs him to become her escort. Will Horner continue undetected or will the husbands become suspicious? Well.........

Jack Pinchwife, a jealous country husband, lives in permanent fear of being cuckolded (adulterously betrayed) and has married a young girl from the country in the belief that she's too silly and innocent to betray him. However, he is forced to visit London in order to marry off his sister Alithea to the foolish Sparkish, and his wife is soon spotted and pursued by Horner. Pinchwife, who has not heard the rumor about Horner's supposed impotency, frantically tries to keep his young wife from Horner's clutches but everything he tries seems to backfire on him until a solution appears to solve all his problems. Or does it?

Frank Harcourt is a young gentleman of wit who enjoys the variety of pleasures that London has to offer and has rarely, if ever, considered the possibility of marriage. This all changes as soon as he meets, and falls in love with, the beautiful Alithea. The only problem is that she is due to marry Sparkish the following day! Harcourt leaps into action and is forced to use all his wit and ingenuity to woo Alithea and prevent her marriage to Sparkish. Alithea is determined to fulfill her obligations and marry according to the wishes of her brother, Pinchwife. Who will she marry?

(Read the script)

 

(Posted October 2003)

The Period

On May 25th 1660 King Charles II returned to England from his long exile in France and so ended England's eleven-year experiment with Republicanism. Charles Stuart was restored to the throne by a euphoric nation eager to free itself from the harsh Puritan rule which had so disappointed and, eventually, repressed the citizenry of the country. The period in English history known as The Restoration had begun.

Charles II, soon to be known as 'The Merry Monarch', had, during his stay in France, developed a taste for the good things in life and the theatre, outlawed and despised by the Puritans, was high on his list of pleasurable activities which he was keen to re-introduce to his kingdom. The old Elizabethan theatres had either been torn down at the beginning of the Civil War in 1642 or were unusable after eighteen years of neglect, so existing, suitable buildings (indoor tennis courts) were pressed into service as theatres.

With this new type of theatre came a new type of performer - women. For the first time in England women were permitted to appear on the stage in public performances. Before long, the well-heeled Ladies and Gentleman of London grew bored of seeing old plays re-vamped and re-written - they wanted new plays which reflected their lifestyle and interests.

And so Restoration Comedy was born - combining complicated plots, biting satire, outrageous farce, verbal dexterity and extreme 'humours' characterization, it was a theatre like no other. There were more than four hundred plays written between 1660 and 1710 yet the plays dropped from the repertoire for nearly two hundred years until they were revived by The Phoenix Society in 1915.

Now it is the turn of The Lisbon Players to bring one of these wonderful plays, 'The Country Wife', back to the attention of the theatre-going public.